Author name: Luca Schirru

Artificial Intelligence, Blog

Danish Bill Proposes Using Copyright Law to Combat Deepfakes

Luca Schirru Recently, a Danish Bill has been making headlines by addressing issues related to deepfake through a rather uncommon approach: copyright. As stated to The Guardian, the Danish Minister of Culture, Jakob Engel-Schmidt, explained that they “are sending an unequivocal message that everybody has the right to their own body, their own voice and their own facial features, which is apparently not how the current law is protecting people against generative AI.” According to CNN, the minister believes that the “proposed law would help protect artists, public figures, and ordinary people from digital identity theft.” Items 8, 10, and 19 of the proposal include some of the most substantive changes to the law. Among other measures, Item 8 proposes adding a new § 65(a), requiring the prior consent of performers and performing artists to digitally generate imitations of them and make these available to the public, establishing protection for a term of 50 years after their death. Item 10 introduces a new § 73(a), focusing on “realistic digitally generated imitations of a natural person’s personal, physical characteristics,” requiring prior consent from the person being imitated before such imitations can be made available to the public. This exclusive right would also last for 50 years after the death of the imitated person and would not apply to uses such as caricature, satire, parody, pastiche, criticism, or similar purposes. It could be argued that this approach is uncommon because several countries, including those in the European Union, already have laws regulating personality rights and, more specifically, personal data. Copyright is known for regulating the use of creative expressions of the human mind, not the image, voice, or likeness of a person when considered individually, i.e., outside the context of an artistic performance. According to CNN “Engel-Schmidt says he has secured cross-party support for the bill, and he believes it will be passed this fall.”  A machine-translated version of the Proposal is below:  Notes:

Artificial Intelligence, Blog

Latest Developments on Training GenAI with Copyrighted Works and Some 'What Ifs?'

Luca Schirru ‘Boring’ is not a word that can be used to describe the past few days for those interested in litigation involving copyright issues in the development and use of Generative AI systems. Two major cases saw significant updates, issuing orders that addressed one of the main questions raised in these lawsuits: is the use of copyrighted materials to train Generative AI systems fair use? This blog post aims to briefly describe each case’s key points related to fair use and to highlight what was left unresolved, including all the ‘what if’ scenarios that were hinted at but not decided upon Bartz, Graeber & Johnson v. Anthropic Judge William Alsup’s order on fair use addressed not only the different copies of copyrighted material made for training generative AI systems but also uses related to Anthropic’s practice of keeping copies as a “permanent, general-purpose resource”. It also distinguished between legally purchased copies and millions of pirated copies retained by Anthropic, applying a different fair use analysis to each category. Regarding the overall analysis of fair use for copyrighted works used to train Anthropic’s Generative AI system, Judge Alsup found that the use “was exceedingly transformative and was a fair use.” Among the four factors, only the second factor weighed against using copyrighted works to train the GenAI system. Concerning the digitization of legally purchased books, it was also considered fair use not because of the purpose of training AI systems, but for a much simpler reason:  “because all Anthropic did was replace the print copies it had purchased for its central library with more convenient space-saving and searchable digital copies for its central library — without adding new copies, creating new works, or redistributing existing copies”. For this specific use, of the four factors, only factor two weighed against fair use, while factor four remained neutral. On the other hand, Judge Alsup clearly stated that using pirated copies to create the “general-purpose library” was not fair use, even if some copies might be used to train LLMs. All factors weighed against it. Specifically, Judge Alsup noted: “it denies summary judgment for Anthropic that the pirated library copies must be treated as training copies. We will have a trial on the pirated copies used to create Anthropic’s central library and the resulting damages, actual or statutory (including for willfulness).” Kadrey v. Meta At the very beginning of the order, Judge Vince Chhabria clarified that the case questions whether using copyrighted material to train generative AI models without permission or remuneration is illegal and affirmed that: “although the devil is in the details, in most cases the answer will likely be yes. What copyright law cares about, above all else, is preserving the incentive for human beings to create artistic and scientific works. Therefore, it is generally illegal to copy protected works without permission. And the doctrine of “fair use,” which provides a defense to certain claims of copyright infringement, typically doesn’t apply to copying that will significantly diminish the ability of copyright holders to make money from their works (thus significantly diminishing the incentive to create in the future).” Judge Chhabria explained further that  “by training generative AI models with copyrighted works, companies are creating something that often will dramatically undermine the market for those works, and thus dramatically undermine the incentive for human beings to create things the old-fashioned way.” According to him, this would primarily affect not classic works or renowned authors but rather the market for the “typical human-created romance or spy novel,” which could be substantially diminished by similar AI-created works.  However, all these points were framed as “this Court’s general understanding of generative AI models and their capabilities”, with Judge Chhabria emphasizing that “Courts can’t decide cases based on general understandings. They must decide cases based on the evidence presented by the parties.”  Despite this general understanding that “copying the protected works, however transformative, involves the creation of a product with the ability to severely harm the market for the works being copied, and thus severely undermine the incentive for human beings to create“, Judge Chhabria found two of the plaintiffs’ three market harm theories “clear losers,” and the third, a “potentially winning” argument, underdeveloped: “First, the plaintiff might claim that the model will regurgitate their works (or outputs that are substantially similar), thereby allowing users to access those works or substitutes for them for free via the model. Second, the plaintiff might point to the market for licensing their works for AI training and contend that unauthorized copying for training harms that market (or precludes the development of that market). Third, the plaintiff might argue that, even if the model can’t regurgitate their own works or generate substantially similar ones, it can generate works that are similar enough (in subject matter or genre) that they will compete with the originals and thereby indirectly substitute for them. In this case, the first two arguments fail. The third argument is far more promising, but the plaintiffs’ presentation is so weak that it does not move the needle, or even raise a dispute of fact sufficient to defeat summary judgment.“ In the overall analysis of the four factors, only the second factor weighed against Meta. Summary judgment was granted to Meta regarding the claim of copyright infringement from using plaintiffs’ books for AI training. Nevertheless, Judge Chhabria clarified that “this ruling does not stand for the proposition that Meta’s use of copyrighted materials to train its language models is lawful. It stands only for the proposition that these plaintiffs made the wrong arguments and failed to develop a record in support of the right one.” The use of pirated copies was also addressed in Kadrey v. Meta. In this case, “there is no dispute that Meta torrented LibGen and Anna’s Archive […].” According to Judge Chhabria, while downloading from shadow libraries wouldn’t automatically win the plaintiffs’ case, it was relevant for the fair use analysis, especially regarding “bad faith” and whether the downloads benefited or perpetuated unlawful

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Highlights from the Global Expert Network on Copyright User Rights Symposium 2025: Principles for Digital Copyright

Sean Flynn and Luca Schirru The Global Expert Network on Copyright User Rights Symposium public event took place from June 16-17, 2025, at the Geneva Graduate Institute. Organized by American University’s Program on Information Justice and Intellectual Property (PIJIP) and South Centre, in partnership with the International Federation of Library Associations and Institutions (IFLA) and COMMUNIA Association for the Public Domain, the symposium’s main objective was to share research and deliberate over principles that guide protection of the public interest in copyright reform for the digital age. The meeting occurred in the context of the World Intellectual Property Organization’s Standing Committee on Copyright and Related Rights (WIPO SCCR) having adopted a work plan to draft principles, objectives, and options for an instrument on limitations and exceptions (L&Es) in three priority areas: to enable preservation activities; to adapt exceptions and limitations to the online environment; and to ensure that people with disabilities other than vision impairments can benefit from new technologies. On the first day, participants presented and discussed ongoing research on user rights from different parts of the globe. A keynote panel gathering academics discussed the history and the justifications for an international instrument on copyright L&Es. In the end of the afternoon, former and current government representatives addressed the history of the L&Es agenda, as well as the work plan on L&Es currently discussed at the SCCR. The second day was structured around detailed discussions in four sessions: principles for the protection of libraries, archives, and museums; education and research; remuneration in digital contexts; and cross-cutting issues, like liability safeguards, contractual overriding, cross-border research, and access rights. The main output of the symposium was the “Working Document: Principles and Objectives for Limitations and Exceptions.” Participants developed this document through extensive deliberations and presentations carried out in the previous days, drawing from past documents and proposals of the SCCR on the topic of limitations and exceptions, international intellectual property instruments, and scholarship. Based on (i) already existing models and language in international copyright law or (ii) that have been proposed by countries in past SCCR deliberations or (iii) that are supported by a broad consensus in existing law and scholarship, the document contains proposed language for objectives, principles and options that may promote the objectives of the 2012 Mandate and the SCCR Work Program as described in the SCCR 46 Chair’s Summary.

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