October 22, 2025

Blog, WIPO-SCCR

Justifications for an Instrument on Copyright Limitations and Exceptions

The mandate for working on an international instrument on limitations and exceptions (L&Es) at the World Intellectual property Organization (WIPO) is rooted in the principle of maintaining a “balance between the rights of authors and the larger public interest, particularly education, research and access to information,” as articulated in the Preamble to the 1996 WIPO Copyright Treaty (WCT). The issue has been on the WIPO agenda since 2004, driven initially by proposals from Chile and several other countries in Latin America, and subsequently supported strongly by the African Group. The formal mandate for continued work on L&Es—specifically for libraries and archives, education and research institutions, and ‘other disabilities’—stems from a 2012 mandate from the General Assembly (WO/GA/41/14), which called for continuing discussions “to work towards an appropriate international legal instrument or instruments (whether model law, joint recommendation, treaty and/or other forms)”. This process was accelerated when the African Group’s proposal for a Work Program on L&Es was adopted in 2023 (SCCR/43/8 REV), reaffirming the goal to move towards “the adoption of an appropriate international legal instrument or instruments on exceptions and limitations”, with subsequent drafts, such as SCCR/44/6 (November 2023), setting out detailed methodologies and processes intended to facilitate text-based negotiations on the subject. A draft instrument on limitations and exceptions was submitted by the African Group in October 2025 (SCCR/47/5) Below we summarise justifications for an international instrument on limitations and exceptions (L&Es) to copyright, and for expanded limitations and exceptions more generally. The justifications are taken from a review of academic literature. Researchers have posited that such an instrument is necessary to counteract the existing “minimum protection approach” of international treaties, which often prioritizes copyright holders over the public interest, access to knowledge, and competition and development concerns. To download or print this analysis, see the pdf version below. Benefits of International Harmonization Counterbalance to minimum protection approach; Promoting L&E reform. International copyright treaties have primarily followed a “minimum protection approach” with the result many (especially developing) countries reform laws to meet the evolving international landscape on copyright protection without updating limitations and exceptions. Following the 1996 Internet Treaties, for example, most countries have protections that cover digital works, but often lack the updates necessary to apply exceptions to digital uses. An instrument on L&E can help guide copyright reform to better recognize “the need to maintain a balance between the rights of authors and the larger public interest, particularly education, research and access to information, as reflected in the Berne Convention.” (WCT Preamble). A key example is the Marrakesh treaty, which has promoted extensive reform in exceptions for people with disabilities.  (Geiger and Jütte 2024; Hilty et al. 2021; Longan 2023; Majekolagbe 2025) Defending positive reform An instrument on L&Es would help defend reform efforts against claims that broadening L&Es would violate the international three step test.   (Asay 2021; Okediji and Hugenholtz 2008) Eliminating anticompetitive effects Harmonizing L&Es across international borders can help combat anticompetitive behavior. For example, firms have used inadequate copyright exceptions to inhibit generic pharmaceutical labeling, reverse engineering to create competing products, etc.  (Okediji 2018; Okediji and Hugenholtz 2008) Enabling Cross-Border Use Harmonizing L&Es can help promote cross border uses of materials relying on exceptions, such as a research corpus, educational texts, contents of libraries and archives, etc.   (Flynn et al. 2020; Trimble 2025) Benefits of More Open L&Es for Social and Economic Development Promoting ongoing authorship L&Es promote free expression and authorship that builds upon existing works for subsequent creations such as commentaries, biographies, critical reviews, satire and parody, and other transformations. (Hilty et al. 2021; Samuelson 2018; Yoo 2021) Promoting research (empirical) More open exceptions for research uses are associated with higher levels of academic production and publication, including of projects using computational research that requires making digital copies of whole works (aka text and data mining).  (Flynn and Palmedo 2019; Handke, Guibault, and Vallbé 2021; Palmedo 2019)  Supporting functions of public institutions L&Es enable institutions like libraries and archives to fulfill essential public functions, such as digitization, preservation, making replacement copies, and providing document delivery for research. (Lindsay and Greenleaf 2018; Majekolagbe 2025; Samuelson 2018) Promoting the Dissemination of Knowledge L&Es such as education and research exceptions enable wider dissemination of information through digital platforms, such as for online learning, sharing research files, etc., that can contribute to development and economic and social advancement. (Lindsay and Greenleaf 2018; Okediji 2018; Okediji and Hugenholtz 2008) Promoting Innovation and Competition L&Es foster commerce, competition, and innovation by limiting exclusive rights that might otherwise impede the development of derivative products and services such as interoperable software, recording and storage devices (from the VCR to the cloud), and search and indexing of webpages.  (von Lohmann 2008; Samuelson 2018) Promoting Innovation (Empirical) More open user rights environments are associated with higher firm revenues in information industries, including software and computer systems design, and in complementary industries (e.g., ISPs, web hosts) by legally allowing consumers to copy and share content. This in turn promotes investments in new technological innovation (Flynn and Palmedo 2019; Palmedo 2021) Bibliography  The pdf version follows below:

Blog, Broadcast Treaty, WIPO-SCCR

Is the draft Broadcast Treaty consistent with the General Assembly mandate?

The World Intellectual Property Organization (WIPO) recently published a new draft of the proposed Broadcasting Organizations Treaty as document SCCR/47/3 in preparation for the 47th meeting of the Standing Committee on Copyright and Related Rights (SCCR/47) in December 2025. The draft does not differ in its main provisions from previous drafts, and this raises questions as to whether the document fulfils the mandate given to the SCCR by previous WIPO General Assemblies. Below we provides an analysis of the chair’s draft edits. We focus on the substantive changes in SCCR 47/3 as well as on the more controversial provisions, most of which are unchanged in this draft. The central question for the Broadcasting Treaty, in line with the 2007 General Assembly Mandate, is whether there is sufficient “agreement on objectives, specific scope and object of protection” to warrant a recommendation for a diplomatic conference. (WO/GA/34/16). The 2006 WIPO General Assembly mandated that the Broadcasting Treaty be “confined to the protection of broadcasting and cablecasting organizations in the traditional sense” and “based on a signal-based approach” (WO/GA/33/10, para 107, 2006). Key issues include whether the treaty should include any exclusive rights, rather than only general obligations to prevent piracy (similar to its current Art. 10 and to the substance of the Brussels Convention Relating to the Distribution of Programme-Carrying Signals Transmitted by Satellite); whether it should extend to rights of fixation and to “stored programmes”; whether to enable remuneration schemes for retransmissions; and how to broaden the limitations and exceptions to ensure that broadcast rights cannot prohibit uses permitted by copyright exceptions. To download or print this analysis, see the pdf below. Analysis and commentary by section on the latest draft of the Broadcast Treaty Updated Broadcast Treaty. New text in SCCR 47/3 in green.   Comments and Suggestions 2. Definitions SCCR 47 added:  2.06 In the Draft Text, there is no definition of the term “broadcast”.  The object of protection of the Treaty is the transmission of the programme-carrying signal, which constitutes the broadcast.  The broadcast represents the output of the activity in which a broadcasting organization is engaged, namely “broadcasting”, which is already defined in item (a). Furthermore, the term “broadcast” is not employed in the Draft Text. (g) “stored programmes” means programmes, which a broadcasting organization owns or regarding which it has acquired transmission rights with the intention of including them in its linear transmission, or which have originally been transmitted in a linear transmission by a broadcasting organization, For those that want to extend protections of the treaty to streaming on the Internet, a key challenge is how to achieve this goal while limiting any protection to traditional broadcasters rather than to streaming companies such as YouTube, Spotify, etc.  The definition of a broadcasting organization applies to any organization that “takes the initiative and has the editorial responsibility for the transmission, …; the programmes of a broadcasting organization form a linear programme-flow.” “Linear program flow” means scheduled programming. Internet streaming companies often show some scheduled programming and thus could be considered covered broadcasting organizations. The definition of “stored programmes” attempts to limit application to more traditional broadcasters by requiring that such programs be owned or licensed “with the intention of including them in its linear transmission.” Most of the content from streaming companies is not intended to be included in a linear transmission.  There is a policy question about why there is a need to cover stored transmissions at all. As the definition notes, such programs are normally either owned or licensed by the broadcaster, which then would have all copyright rights to combat piracy of the programs.  Commenters have offered changes to restrict the scope of the treaty to traditional broadcasting. Hugenholtz (2023) proposes that the definition of covered broadcasts exclude transmission of stored programs on demand by covering only “simultaneous reception by the general public of a programme-carrying single, where the programmes are provided in a prescheduled and linear order.” This is similar to the Rome Convention, which defines “rebroadcasting” as “the simultaneous broadcasting by one broadcasting organisation of the broadcast of another.”  Love advises adding that the signal be “from a single source point to multiple recipient points,” which would exclude on demand point-to-point transmissions.  Article 3: Scope of Application (2) The provisions of this Treaty shall apply as well to the protection of programme-carrying signals of the broadcasting organizations used in their transmissions when providing access to the public to the stored programmes of the broadcasting organizations.… (6) Contracting Parties may, in a notification deposited with the Director General of WIPO, declare that they exclude broadcasting organizations that exclusively transmit their linear programme-carrying signals by means of computer networks from the scope of application of this Treaty.  Such notifications may be deposited at the time of ratifications, acceptance or accession, or at any time thereafter; in the last case, it shall become effective six months after it has been reposited. The treatment of webcasters has long been a controversial issue in the negotiation, with some arguing that to be limited to traditional broadcasting the treaty should exclude application to webcasts that never make use of traditional airwave-based broadcasting. Proponents of such extension point to the transition of some providers to web-only transmission.   The draft makes clear that countries may exclude webcasters through a reservation.  To limit the text to traditional broadcasting, Art. 3(2) and (6) could be deleted.  Article 6 Right of Retransmission to the Public […]  (2) Any Contracting Party that, before the entry into force of this Treaty, did not provide a right under paragraph (1) to broadcasting organizations in respect of entities that merely retransmit programme-carrying signals for the reception by the public while providing reasonable remuneration to rightholders of the programmes carried by such signals, may continue such a domestic legislative arrangement. One problem with giving broadcasters a right to prevent retransmissions to the public of their signals is that many countries require such retransmissions, for example to carry public broadcasts over cable, internet, or other forms of service that

Blog, WIPO-SCCR

Four new proposals for SCCR 47

The World Intellectual property Organization (WIPO) has published four new proposals on ways forward for some of its key work streams in the Standing Committee on Copyright and related Rights (SCCR), to take place from 1st to 5th December 2025. The proposals concern:(i) Exclusive rights for Broadcasting Organisations to protect their content(ii) Addressing Disparities in the Remuneration of Performers(iii) Limitations and Exceptions to Copyright to promote Education, Research and Access to Knowledge, and(iv) Ensuring Fair Copyright Royalties for Creators in the digital environment across the world. Here are the proposals in more details, with links to the source documents and to our analysis. Document Number Title Description Submitted by SCCR/47/3 A new draft of the WIPO Broadcasting Organizations Treaty. This aims to reflect the views of member states expressed at the previous SCCR and also at the WIPO General Assembly in July 2025. It addresses the issue of enhanced and updated protection for broadcasting organizations concerning their programme-carrying signals, which has been on the WIPO agenda since 1998. But does it give broadcasters and streamers too many exclusive rights? See our analysis of the latest draft. SCCR Chair, Vice-Chair, and facilitators SCCR/47/4 A proposal for a Study on the Rights of Audiovisual Performers and their Payment Mechanisms for the Exploitation of their Performances. This requests WIPO to commission a study on the situation of audiovisual performers, examining the legal and economic frameworks governing performers’ rights worldwide, and how these influence payments received for the use of audiovisual performances, especially on digital and on-demand platforms. It aims to assess the impact of the Beijing Treaty on Audiovisual Performances and identify best practices in ensuring performers receive fair payment. African Group SCCR/47/5 A draft Instrument on Limitations and Exceptions for Libraries, Archives, Museums, Education and Research Institutions and People with Disabilities. The draft instrument recognizes the need to maintain a balance between the rights of authors and the larger public interest, such as education, research, and access to information. It specifies permitted uses for education and research, cultural heritage, and for people with any disability that requires accessible formats.See our summary of justifications for L&Es. African Group SCCR/47/6 A proposal for a Legally Binding Instrument on the Governance of Copyright Royalty in Digital Environment: Promoting a Fair Chance in a Globalized World. This working paper proposes a legally binding international instrument to govern copyright royalties in the digital environment. It addresses the disparity between developed and developing countries regarding royalty collection and distribution mechanisms. It identifies four key challenges: the governance of royalty collection and distribution, mechanisms for royalty allocation, the centralization of a global copyright database, and disparities in copyright royalty valuation.Watch our contributions to the remuneration debate Indonesia

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